Car Rental and Hospitality
Website UI/UX Design
07 Days
Avio - luxury car rental service in Portugal
A rental brand at this level sells trust and convenience before it sells cars, and a homepage that opens on a price table would hide the one thing that separates Avio from a counter at the airport: the car arrives where the guest is staying. The visitor is usually a traveler planning ahead, unsure about deposits, insurance, mileage, and what happens if a flight is late. The page needs one search action near the top, a collection that can be compared at a glance, and enough process and policy detail to make a reservation feel safe
A booking bar that completes the hero
The hero photograph, a classic car on a forest road in low sun, carries the headline at the left and a Featured this week card at the right, with its own Reserve button, a 01 of 06 counter, and arrow controls. The booking bar overlaps the hero’s lower edge and sits on white, so the search form reads as the page’s first working surface instead of an afterthought below a banner.
One card anatomy for six cars
Bentley Continental GT, Porsche 911 Carrera S, Range Rover Autobiography, Mercedes-Benz S 580, Mercedes-AMG G 63, and Porsche Taycan 4S each sit on a white card over a grey ground with the car cut out at the top and the same stack below, name, class and year, three chips such as 650 hp, Automatic, 4 seats, and a price per day. Electric and hybrid cars swap the horsepower chip for Electric with a 560 km range or Hybrid, so the grid scans as one system.
Delivery shown as a timeline, not a promise
Choose the car, Confirm your concierge, and Meet your car run as three cards that grow darker toward arrival. Each card holds a small live-looking element, filter chips and a dates field, an Incoming call row with a Deposit held line released on return, and a progress bar reading Garage 08:20, On the road, Keys in hand, so the page demonstrates the service instead of describing it.
A display serif over a neutral grotesque
Headlines such as A private garage, not a front desk and Wherever you are staying in Portugal run in a light highcontrast display serif consistent with Instrument Serif, set in capitals in the hero, over a neo-grotesque sans consistent with Inter for chips and form fields. The palette stays off-white near #F3F2F0 and near-black near #111010 with white
cards, so the amber of the forest photograph and the car paint are the only saturated color on the page.
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